Tuesday, December 16, 2008
Monday, December 15, 2008
Saturday, December 13, 2008
Thursday, December 11, 2008
Did you know that classic works of Literature were meant to be tag clouds?
I know this isn't super flashy - but I feel more and more that in a digital age, remakes have more to do with remediation than with anything else. We can look at how someone updated Psycho and see some relevance, but I think its more relevant to look at how Psycho functions within the parameters of another medium. Besides who wouldn't want to play Psycho, the interactive card game? (+1 to shower curtains)
Wednesday, December 10, 2008
Wednesday, October 8, 2008
The "Immediate Family" of Sally Mann (and MDH)
Candy Cigarette (1989)
And a few quotes:
“No matter how skillful the painter, his work was always in fee to an inescapable subjectivity. The fact that a human hand intervened cast a shadow of doubt over the image. Again, the essential factor in the transition from baroque to photography is not the perfecting of a physical process (photography will long remain the inferior of painting in the reproduction of color); rather does it lie in a psychological fact, to wit, in completely satisfying our appetite for illusion by a mechanical reproduction in the making of which man plays no part. The solution is not to be found in the result achieved but in the way of achieving it.”
AndrĂ© Bazin, “The Ontology of the Photographic Image” (1945)
“One feature of the popular view of the sexual instinct is that it is absent in childhood and only awakens in the period of life described as puberty. This, however, is not merely a simple error but one that has had grave consequences, for it is mainly to this idea that we owe our present ignorance of the fundamental conditions of sexual life. A thorough study of the sexual manifestations of childhood would probably reveal the essential characters of the sexual instinct and would show us the course of its development and the way in which it is put together from various sources.”
Sigmund Freud, “Infantile Sexuality,” in Three Essays on Sexuality (1905)
Francesca Woodman
Originals on top. Both are untitled. I know next to nothing about the left image, though presumably it's one of Woodman's earlier works, taken at her childhood home in Boulder, Colorado, between 1972 and 1975. The right was taken in Antella, Italy, between '77 and '78, when she was studying in Rome. The first is almost certainly a self-portrait; I'm not sure about the second. I took mine at a friend's house north of campus.
Tuesday, October 7, 2008
Plank Piece I
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